Allyn Hart & Gerry Oyama
To support my need for perfectly useless and unproductive
activities such as wandering aimlessly looking for pretty rocks;
projects like this create the illusion of a purpose. I began
bringing my pockets-full of rocks into the studio to scan them
directly into the computer. The intricacies of color and pattern
become ever-more fascinating as I zoom in and fuss with the
digital aspects of imagery. I seem unable to walk in a straight
line or to focus on a goal when there are beautiful rocks
everywhere. I am always at odds with hiking partners who have a
destination in mind. Now my solitary walks and disappearances have
taken their rightful place as a legitimate part of my creative
process. If I find myself crawling around on hands and knees up a
dry stream bed, there is ever-so-much necessity for doing so, as I
am searching for hidden treasures to bring to the eyes of the
world. In making the canvas of colors and shapes more accessible
by focusing in and enlarging, I hope to reveal the subtle beauty
that wrests my attention away from wider views.
The collages resulted from a chance acquisition of 1950's Life
Magazines. As a visual person, the colors and shapes from that era
evoke a visceral connection with the child who fed on them. This
includes conclusions, illusions and expectations regarding
adulthood, marriage, dreams of the culture and possibilities for
women. Gaining technical skill in the archival reproduction of my
own work on the computer gave rise to these prints.
I also love to make sculptures out of pine needles,
lithographic mono-prints using oil-paint and handmade books often
with found objects sewn in. The habitual activities that result in
the work are wandering outdoors, scanning the ground, picking up
interesting objects, then finding some way to enjoy them in my
studio, usually through arranging, containing and reproducing. The
things that catch my eye include rocks, rusty things, broken
pieces of plastic, nests of various kinds, lint, hairballs,
feathers, seed pods, squashed pinecones, gum wrappers, pieces of
wire, nails, spare parts, ad
nauseum.